Entry tags:
- * setting: base,
- 9s [nier],
- akira kurusu [persona],
- angela zieglar [overwatch],
- armitage hux [star wars],
- arthur [inception],
- ashitaka [princess mononoke],
- chiron [fate],
- commander shepard [mass effect],
- daenerys targaryen [asoiaf],
- dolores abernathy [westworld],
- dorian pavus [dragon age],
- felix [halo],
- genji shimada [overwatch],
- hei [darker than black],
- jeyne westerling [asoiaf],
- john constantine [dc],
- jon snow [asoiaf],
- kel cheris [machineries of empire],
- lena oxton [overwatch],
- mamoru hijikata [until death do us part],
- mordred [fate],
- noctis lucis caelum [final fantasy],
- percival de rolo [dungeons & dragons],
- prompto argentum [final fantasy],
- rey [star wars],
- ryo asuka [devilman],
- ryuji sakamoto [persona],
- samus aran [metroid],
- sebastian michaelis [black butler],
- shouta aizawa [my hero academia],
- siegfried [fate],
- the courier [fallout],
- travis touchdown [no more heroes],
- vax'ildan [dungeons & dragons],
- vex'ahlia [dungeons & dragons]
THE AMAZING BASE.
WHO? Everybody!
WHAT? Welcome home, nerds.
WHEN? Outside time and space, in the aether between dimensions.
ANYTHING ELSE? There is also a fish. Please warn in subject lines for anything beyond physical violence and move to a personal journal if things go beyond PG-13.
WHAT? Welcome home, nerds.
WHEN? Outside time and space, in the aether between dimensions.
ANYTHING ELSE? There is also a fish. Please warn in subject lines for anything beyond physical violence and move to a personal journal if things go beyond PG-13.
MYSTERY FISH;
question the mystery fish

DEPARTING GALLIPOLI
The order comes the day after the Marie Antoinette sets sail:
PACK UP AND GET READY TO MOVE OUT. WE'VE DONE ALL WE CAN HERE.The Time-Step
DEPLOYMENT: BASE.
WE NEED TO RESTOCK. BE PREPARED FOR MORE TRANSFERS ON ARRIVAL.
STAY SAFE. TIME-STEP EXPECTED TO BEGIN WITHIN THE HOUR.
FOR THOSE OF YOU NEW TO COST: FIND A SECLUDED SPOT AND TRY NOT TO EAT ANYTHING BEFORE THE JUMP.
The transfer begins like a vibrating heat on the collar bone, just a hum of sensation.
But the vibration spreads. Veteran COST soldiers often refer to this phenomenon as "the buzz". The feeling builds, not unlike standing near a great engine or the wind-rattled branches of a massive tree. There is a long moment of motion sickness and you can't be sure if the world is shaking you from the inside out or the outside in. It may be better to close your eyes against the growing nausea, as the world blurs out of focus.
A star shines in the distance. You may hear the faint rustling of leaves. Some swear they hear voices in this moment, indistinct words echoing off nothingness. Others say they feel a touch of the divine, that the eyes of the eternal look down upon you. Ancient bones rattle just out of earshot, cold and brittle and nothing more than the suggestion of sound. Or maybe it's only an illusion, brought on by the powerful technology grafted into your skin.
One thing is for sure: One moment you are here and the next you are not.
The shift takes you from whatever solitude you could find aboard the Marie Antoinette to the temperature-regulated hallway of what looks like a very poorly put together space station. Droids rush up and down the long hallway, fixing broken bits of machinery or just chattering with each other. A few crows sit on high ledges, looking down and watching. Someone mutters something about a centaur around the corner.
And you might just notice, provided you were in Gallipoli long enough to acquire stowaways, that the parasites lurking on your skin are mercifully gone.
For new arrivals who didn't experience Gallipoli: You, too, will appear in this long hallway, filled with droids and crows and humans (still filthy and clad in ANZAC uniforms, carrying battered equipment from the first World War). And you'll be wearing the minimal COST-issued athletic underwear and holding whatever one item you were allowed to bring. Surprise!
READ THE BASE INFOPAGE.
home away from home
Those who have been to BASE before may find a strangeness to it all: BASE seems...still. The windows show a verdant world instead of the usual aether (though with the typical paranoia), and the halls are bereft of all but a few crows. A man stands at the end of the long hallway you arrived in, waiting for you to get your bearings before he speaks.
Except, you know, he's not a man. He's a centaur.
"It's been barely a week since you left, by my reckoning. But for you, I'm sure, it's been much longer. Still, much has changed. You may have noticed we are...becalmed. This is due, it seems, to an error in our ways. We kept something that does not belong to us, several wild creatures that are meant to be free. They seem to have psychically called out to their home, and their home responded; we are now somewhat stranded.
"But let me explain—the Aether is the nexus between worlds and times, but it is not a dead thing. Creatures live in it. We have crashed onto the back of one such creature, a mighty beast, as large as a small country and entirely undiscovered. We have found why the creature has intercepted us: we have accidentally taken captive some of its children. Shapers, the wild creatures I mentioned, it seems they form a symbiotic bond with the creature, and live happily within its stomach."
He frowns, considering this.
"Shapers, I should mention, are creatures that briefly infested our fair BASE. The issue was dealt with, though we kept some for experimentation. The coelacanth took issue with this, it seems. It can speak, of course; we are stranded very near its head, and if you wish to ask it a question, I implore you to do so. The creature is older than creation—older than me—and only speaks once to any creature it encounters. It's said its wisdom brings kings to their knees."
His eyes crinkle in humor.
"My name is Chiron and I am the caretaker of this place, for those of you whom I have not had the pleasure of meeting. More importantly, I am a trainer and a teacher of some experience; if you wish training or schooling of any sort, do summon me. I will be happy to assist."
He's easy to contact, often found in the library, the training area, his capsule, or elsewhere in the station, attempting to fix what he understands and arguing with crows.
"We intended to spend this time exploring, for this is a rare opportunity to discover more of an entirely uncharted world. I hasten you to see if anything on the coelacanth can be of use, but be careful. Take only what you need, not what you may want. I intend to learn my lessons well; these creatures are not pets. Takes food, water, and any materials of use to us for our survival and perseverance, but no more. We task you with this: explore the coelacanth, and see what of it can be understood. Bring us back samples, but do try to interrupt the natural habitat as little as possible. We are guests here."
He bows and the action shows a slight limp in one of his back legs.
"I would join you, but I am far too old for such activities. Still, do pepper me with any questions you should encounter. I am always available on the network, or in person, within this hulking mass we call home."
And then he leaves you to find your capsules and rest.
Once you've found your room and settled in—perhaps taken a shower, collected clothes, and eaten—a droid will approach you with camping equipment and give you a brief explanation of how to access and use the database. It's time to get your gear and go.
Of course, you can decline. You can stay and tend to the fort, maybe try and clean up this patchwork jumble of metal and machinery. But seeing the sights on the back of a giant fish flying through non-space? Who can say no to that?
the undiscovered country.
BASE's airlocks open into a lush valley, vibrant with color and rustling with life that has thrived on the coelacanth's back for millennia. It's a striking shift from the rot and gunfire of Gallipoli, unmarked by shrapnel, bombshells, and never-fresh air.
No, the air here is clean in a way that can leave you breathless, untouched by pollutants and stirred into a gentle breeze. It's a marked departure for anyone used to a more modern Earth or rough equivalent; letting the air sit on your tongue leaves a crisp, unsullied taste behind. And the whole forest feels alive, in a way that reminds you of how small you really are.
A white crow perches in a tree near BASE's exit, too high up to properly engage but a stark contrast to the bright leaves around her. She merely watches recruits come and go with a shrewd eye, feathers fluffed against the light chill. There are other crows scattered throughout the wilderness, some easier to find than others as they flit through the trees, sit on camping equipment, or hitch rides on the hoverbikes.
Besides those brief flashes of black feathers, however, you're left unsupervised.
Try not to fuck up anything too badly.
no subject
“I did it a few times cause I was saving someone’s ass. The teachers loved me though so I never got in trouble or anything. Sometimes I wonder what it woulda been like if I’d skipped out to go on a date though. I think that’s still the trendy thing to do.”
no subject
"A date? Sounds like a lot of coordinating. Call her the night before, choose which class to skip... I think people still do that. Better than sitting in a classroom."
He chuckles at the drawing still, as he continues finishing a leg.
no subject
“Good point. Sounds more complicated than just going in the evening. Evening dates are more romantic anyway. Easier to get a gal to make out with you for a few hours at that point, y’know?” He gives his own chuckle before returning to his slipshod excuse of a tree.
no subject
"Or, think of it this way: Maybe the reason why anyone would want to go on a date during such a short break would just be for the thrill of it. However small it is. The urgency makes it that much more intense."
Henry has never considered himself very artistic and he's not particularly good, but he has some sense of shape and form.
no subject
...not that this helps his case at all since the reality is that even casual hookups wasn’t much of an option for decades. But that’s another discussion.
Bucky’s pen pauses at that (because he uses pen and not pencil because he’s old and that’s how they used to do it unless you were an ~artist~), and he hums softly in thought. “You know what? You’re probably right. There were definitely times I’d kiss a girl just cause I liked the idea of getting caught. Guess I attributed that to just dumb shit kids do, but there’s definitely merit in the idea.”
His pen finds the paper again, and what looks like a giant raindrop joins the tree.
“Kinda miss that feeling. That kind of excitement you get from doing something fun and risky without it being tied to violence or death. Not that those kinda things aren’t exciting too, but when that’s already what you do all the time, variety sounds like a nice departure.”
no subject
"Aye, yeah, I know what you mean. Need to keep that thrill fresh."
Then he pauses for a moment, figuring he should satiate his curiosity while he's at it. While there's no coyness or hinting at anything suggestive, he is very interested in the reason behind the yearning for other excitement.
"Then why don't you? You're in a whole new dimension with all sorts of new experiences laid out for you, so there shouldn't be anything stopping you, should there?"
no subject
There’s a rather significant pause as he tries to actually find a real answer to reply with, but inevitably he comes up empty. He doesn’t really know why, even if he has an idea of why not. It’s not like anyone he really knows is here, not like anyone would care. He already acts so easy and careless because he knows no one really knows him in COST, lets some of his truer colors show when they normally wouldn’t have back on earth. Even the Regency operative that had contacted them hadn’t any real clue of the real James Buchanan Barnes. So does it even matter? Should he even care if he doesn’t even know why?
“Yeah, probably not. It's kinda weird, really. Always was the kind who'd try anything once a long time ago. Maybe it's just been so long that I've forgotten why I bothered to.”
no subject
"Well, now you remember it. You're welcome."
He laughs under his breath though, clearly just joshing him there. Then it just reminds him of his own situation, where as while he'd until recently been sort of like Bucky. Guess marriage just does that to you.
"Guess I can relate, though. I was married until recently, for about ten years, so going around kissing people wasn't exactly on the forefront of my mind. At least, until uh, joining COST. Guess I just needed someone as straightforward as he was."
Not namin' any names, y'know.
no subject
It’s somewhat surprising to here that Henry’s been married. Not so much the part about having married in the first place—there’s no doubt that Henry would be quite the catch for someone—but more the fact he’s apparently divorced. For such a seemingly easy to get along with guy, it’s rather astounding that someone could find conflict with him. Or perhaps it is a conflict of a different nature. Bucky doesn’t really know of course, and if he were more curious toward the why, he would have asked. Except Henry saying “he” rather than “she” proves to be far more curious than the other question.
“Wait, ‘he’?” There’s no judgement in the words, only confusion. As far as Bucky has known, his presumption from their interactions was that Henry is straight. Of course, being from a dated time frame, Bucky is also not familiar with the fact that stereotypes from his era are wholly inaccurate and that bisexuality is a thing, so please excuse his unintended rudeness.
“You’re gay?” Obviously implying verbally to Henry that he’d assumed Henry was straight. Maybe because Henry seems outright like a ladies man (I mean, look at him), but regardless of the particulars, there’s a clear disconnect between what Henry’s been saying, what Bucky’s understood, and something about how sexuality and attraction works aside from between a man and a woman since Bucky obviously understands that like the back of his hand.
no subject
Also he doesn't even think that Bucky was from a time period way beyond what he thinks he's from, and is left sort of glancing over at him in silence as Bucky asks his questions. Being 'gay' wasn't a non-issue where he was from, he's pretty sure some people still have hang-ups over that, but it wasn't as big of an issue anymore.
"Well, no..." He sort of elongates that 'o', trying to be as tasteful about this conversation as he can. "I had a wife. I'm not keen on categorizing myself, but I fancy either or."
He could be bi, or pan, for all he knows. He'd just never really bothered to explore it beyond what was already available at his fingertips.
no subject
And it’s not even that Bucky thinks poorly of anyone who’s gay either. He’s certainly known his own share of queer individuals (as it was known to him then; he only knows that gay is preferred now to specify gay men specifically). His experience, however, doesn’t quite inform him to the option of I like what I like, whatever that happens to be, which traps him in an odd mentality of presuming that one can only be straight or gay and not anything else. Secular comprehension of sexuality was quite stunted in his youth, so, once again, please excuse his unintended rudeness.
Since Henry has outright detailed that he’s apparently slept with both, it thankfully bypasses Bucky’s need to ask the particulars of those bits of information. But it still leaves him confused, his dated logic about sexual interest being primitive compared to anyone who was raised in the more modern era.
“You can do that?” This is clearly a new concept for him. Not the or, of course, but the either.
no subject
"Yes," he replies plainly, trying not to sound incredulous (at least he's doing well there). "I haven't gone around proposing to men, mind you."
Sex and whatnot is one thing, but a full-blown relationship and marriage is something he can't really bring himself to think about anymore. It didn't work last time with the woman he felt was his soulmate, so why would it work with someone he didn't feel the same away about?
"Just casual things. I'll kiss a man if I like him enough."
And then some, but he leaves it at that.
no subject
“I. Don’t mean any offense. If. That’s how you...” He could shove more meaningless words here but decides it might be better to just tell it as it is. “Look, I don’t know if you’re from the same world I’m from, but, uh, I grew up in the twenties. So.”
Assuming that means anything to Henry, he can likely fill in the rest of the blanks: archaic comprehension, probably never learned the normally way, etcetera, etcetera. It doesn’t really explain why modern concepts aren’t a mystery to him or why the hell he has a metal arm if he’s from that far “back in the day”, but it at least gives context to Bucky’s immediate confusion.
Which has now been somewhat cleared up now with Henry’s patience. Thanks, pal.
“So, what, you hook up with guys but only marry gals?” It’s a swing in the dark. This is clearly such a new idea to him that he doesn’t really get it yet.
no subject
Of course, all the other mysteries mentioned above apply. He doesn't have the time to go through all the questions in his head about the nuances, but at least he can address the main issue first. All the others can come up later. He shakes his head in response, as if to say it's quite alright, don't even worry about it.
"It's not so cut-and-dry like that, but I suppose that's what it sounds like, doesn't it?" He coughs into his hand, as if to mask any awkwardness but easily composes himself. "I'll hook up with whomever I please, but I just happened to marry a woman. We were both...very young. I thought she was the one."
Sometimes he still feels that way, but he won't voice that here.
no subject
While it would certainly take a great many years for recognition of its participants to be seen as normal members of society and not queer outliers, their influence on what developed into the signature nightlife that was present through the streets of the city even through the modern day are undeniable. Regardless of never having known any direct parties in his youth, movers and shakers of the great city usually never consorting with common civilians like Bucky, he would be remiss to not recognize the popularity of dance halls in his young adulthood had been developed with chastity and solely with heterosexual clientele in mind.
That all said, old notions of heterosexuality and homosexuality still exist very staunchly in his mind, the concepts not having been challenged in decades and difficult to properly deconstruct to be reconstructed. In Bucky’s case, it doesn’t only sound cut-and-dry but also consists of it, though he recognizes that explaining this would go nowhere and so he chooses not to remark on it directly. To him, the notions of casual sex and marriage are wholly different worlds anyway, so while he tries to give Henry’s viewpoint a proper chance in his head, it only ends up a mess of thought he hasn’t any clue what to do with other than accepting that there are other viewpoints at all.
While Henry continues speaking, he nods, acknowledging that he is listening and trying to process the idea the man puts forth. His companion has been willing to endure his disorientation with the matter for now, but Bucky imagines demanding more of it could be potentially damaging to their present, comfortable friendliness. Rather than press further with his questions and thoughts, he lets the matter fall aside, instead focusing in on the clear fact that despite Henry’s best efforts to mask what manner of man he is, Bucky can read him clearly, a hopeful man who loves and loves deeply even if wronged by one he is meant to trust. Something about that strikes a deep cord with the soldier, and he hums thoughtfully as he returns to detailing the tent on his page.
“I feel like you’ll deny this, but you’re a really noble guy, you know. Ten years is a long time. I...can't even imagine it. Gave up on any notions of real love the moment I realized I probably wasn't coming out of the war alive.” In essence, casual is all he knows and understands these days, the only thing he lets himself have if he lets himself have at all. It’s something he reserves for women, of course, Bucky himself very much straight in his own eyes. The suggestion that it doesn’t matter who or what since it’s casual anyway does end up making sense to him though. There are perverts who do worse than sleep with both sexes; surely there’s nothing objectionable about choosing between humans as long as they’re all consenting adults, right?
no subject
At least Bucky seems to be understanding, and that's all he can really expect at this point. If he knew what was going on in Bucky's head right now, he'd disagree— a hopeful man, him? Perhaps he was at one point, young and naive, but he thinks he's done with that part of his life now. Like love is just something that happens once and never again; maybe he's too attached to the idea of soulmates and how one person is made for another and nobody else? He never really thought about it after the divorce, pouring his all into his work and into killing so-called assassins in the killing game that he and Sylvia had ushered into their sleepy little city.
He almost does deny it, but after he opens his mouth he closes it again, shaking his head a little to himself. It's a subtle motion, only lasting a second before he's looking over at Bucky.
"The pros of casual intimacy—" he sort of grins at the oxymoron, "—is that love isn't a requirement."
no subject
“Got me there,” he replies, looking up to meet Henry’s gaze with a fond expression on his face. “Since you’re so experienced then, riddle me this: why kiss a guy if I can kiss a gal? I mean, what's so great about having both choices if gals are great enough already?”
Painfully straight is a phrase.
no subject
"I could give you a sub-par answer in words, but it really just comes down to your preference or what you want to get out of it."
He shrugs, sort of looking Bucky over and gauging his body language. Is he closed off to the idea of a demonstration or experimenting? The way he words his inquiry has him thinking it could really go either way. The reasons for kissing someone isn't something he normally differentiates between genders, but he can at least admit that they have profoundly different effects on him.
no subject
“A mutually fun time, at the least.” That’s definitely important to him, knowing the other person is enjoying it too. “Can’t really have a preference if I’ve never kissed a guy before though.”
At least in his mind, this makes sense; he’s always been the sort to try anything at least once before deciding if it’s really for him or not, though the idea of kissing fellas has never really occurred to him before. In terms of sexuality, he’s only ever really considered the fact that he thinks breasts are great, and he’d thought that alone settled the issue. Apparently it doesn’t, especially as that does nothing to counter why he shouldn’t want to kiss a guy anyway. It’s not like kissing skill is skewed by gender, so...
Geezus, his head is starting to hurt from all this.
no subject
"Suppose you're right about that. You want to find out, then?"
It's like asking for the time, or discussing the weather with how casually he asks. Their already close proximity makes it easier to close the gap, but he's simply tilting his head lazily in his direction.
no subject
Not that Henry would likely be aware, but Bucky isn’t exactly unaccustomed to the notion of fooling around with friends. He’d done plenty of it when he was younger, less neurotic, but those situations had also been quite different, the options of friends far and wide even if one of his relationships went south because things hadn’t gone quite right. Here, with COST, it proves a different gamble.
“We’d still be friends if I don’t like it, right?” He doesn’t want to offend Henry or put him off; he’s damn swell in Bucky’s eyes. But even as generous as the proposal comes, especially with the mellow back and forth they’ve had for the last while in mind, the last thing Bucky wants to do is complicate things between them.
no subject
He doesn't like to assume that what he considers normal is normal to others, but it's not wrong to assume that Henry isn't aware. Just from the new bits of information alone, his presumption is that people were a little more conservative back then.
"Of course."
He takes the question as a reply. It insinuates that he's going for it, so he leans in and closes the gap with practiced precision. Eyes closed, and head tilted just right to press his lips against Bucky's, he keeps his hands to himself for now and holds it for a respectable amount of time.
no subject
Bucky’s answer had certainly been a reply of sorts, especially in the literal sense as it was obvious affirmation that he didn’t mind the idea. It hadn’t exactly been intended as a go, however.
Tensing in surprise when Henry leans in, Bucky relaxes once he realizes what Henry is actually doing, though the suddenness of it still leaves him rather shocked and despite the respectful lingering contact, Bucky doesn’t respond in kind through the gesture, his own eyes a wide in astonishment.
When Henry withdraws, he huffs, “I wasn’t ready yet,” a slight furrow set in his brow and mild indignance in his tone.
no subject
"Sorry about that."
There's a sort of expectancy in his pose, leaning on one arm, letting the drawing pad sort of hang out in his lap entirely forgotten. Sorry Bucky, he's assuming (again) that you're OK with another attempt. At least this time, he'll be sure.
"Let me know when you're ready."
no subject
“If I’m gonna do it at all, I wanna do it right,” he explains before smoothly leaning in, tilting his head the same way as Henry had before and reaching out with his right hand to catch Henry’s the curve of Henry’s neck with his fingers, thumb comfortably settled against his jaw. His eyes are closed this time when their lips meet, Bucky’s attempt less chaste than Henry’s but still maintaining a respectful weight and not demanding more than necessary.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)